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Betty Garrett

One of the female protagonists of the unforgettable " A day in New York "(Stanley Donen and Gene Kelly, 1949). The promising career of this actress, singer and dancer born in 1919, was interrupted when his name, along with her husband, actor Larry Parks, entered the blacklist embarrassing Joseph McCarthy for his Communist Party membership . Besides "My sister Elena " (Richard Quine, 1955) and " The shadow on the window " (William Asher, 1957), the rest of his films took place on television. At the end of the last decade involved in two tiny horror movies.

Kenneth Mars

Actor born in Chicago in 1935 and known mainly for his roles to Mel Brooks. It was the Nazi Franz Liebkind in " Producers" (1968) and Inspector Kemp in "Young Frankenstein " (1974). Among his long career stand out her appearances in "April Fools " (Stuart Rosenberg, 1969), " Night Moves (Arthur Penn, 1975)," Fletch , chameleon "(Michael Ritchie, 1985 ) or " Illegally Yours (Peter Bogdanovich, 1988). Also was very active in television and his voice can be heard in many animated films.

TP McKenna

Another prolific character actor, born in Ireland in 1929. Thomas Patrick McKenna worked for both theater and film and television. We saw it in "Rebel The dreamer" (Jack Cardiff, 1965), " Ulysses" (Joseph Strick, 1967), " Straw Dogs (Sam Peckinpah, 1971)-perhaps his most memorable performance," " Dr. and devils "(Freddie Francis, 1985) and" Valmont "(Milos Forman, 1989), among others.

David F. Friedman

The famous producer who, with the collaboration of Herschell Gordon Lewis, is due the birth of the gore subgenre, with films like "Blood feast " (1963), " 2.000 maniacs" (1964) or "Color me blood red " (1965). Once broken his relationship with Lewis, continued to produce delicatessen the lines of "She freak" (Byron Mabe, 1967), "The acid eaters " (Byron Mabe, 1968), " The adult version of Jekyll & Hyde "(Lee Raymond, 1972) or" The She Wolf of the SS "(Don Edmonds, 1975).

Dorian Gray

born Maria Luisa Mangini this beautiful Italian actress as Wildean pseudonym adopted without knowing that the character was male. After several years in the charts, debuting at the cinema in the early fifties. Work for Federico Fellini in " Nights of Cabiria" (1957) and Michelangelo Antonioni on " Scream" (1957). It was also the bad woman " Totò, Peppino e ... the malafemmina " (Camillo Mastrocinque, 1956), which was a great success. He won a Nastro d'Argento for "Mogli CHEMICALS (Luigi Comencini, 1958). Once she became pregnant, retired from the cinema. Unfortunately, the actress has committed suicide with a bullet.

Florinda Chico

We also left the third chacha English cinema after Gracita Rafaela Aparicio and Morales. Extremadura actress born in 1926, and in forties acting for different theater companies. Made his film debut with "Passport for an angel " (Javier Setó, 1953). However, not until the sixties that his name became popular to the public, with comedies like " Girlfriends" (Peter Lazarus, 1969), " The henpecked "(Mariano Ozores, 1974)," The Lord is served (Sinesio Island, 1976), "The currante (Ozores Mariano, 1983) and many others. Other records also starred in "Raise Ravens " (Carlos Saura, 1976), "Silkworms " (Francisco Rodríguez, 1977) and "Fear nightlife (Eloy de la Iglesia, 1980) among others.

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Rossana di Rocco meets Dr.

few days ago we put some pretty pictures Rossana di Rocco, who portrayed an angel on two occasions in separate Pasolini films.

Dr. Hitchcock has made contact with Ms. di Rocco, who has been very kind to answer a short questionnaire about their film experiences.
Thanks again, Ross.

Two images of her first film appearance, "Mare matto" (1963).

What went on in the world of cinema?

I entered the world of cinema by chance, as it always with Pasolini.
Pasolini had come for a walk near my home. I lived in a house a little "out of town, near the Eur (where he lived him), and together with my colleagues recognized him and went together to greet him. I was very badly dressed, perhaps even I had washed that morning, and he saw me and asked me if I wanted to make movies. "I never thought," I replied.

few days later he returned with others, were the camera operators, and made me a kind of test, there in the field in front of my house.

Actually, I had hired to Renato Castellani, for his film " Mare matto" (1), filmed in Messina, the first thing I did in the movies. Then came the others: " Ricotta" (2), " The Evengelio Matthew", " Pajaritos and pajarracos ", "Le soldatesse " and "The Bible ."

Why did you leave the cinema so soon?

I stopped making movies because they were the sixties, was the economic boom and needed to remove my clothes, and I did not have much interest, I had a great physicist, as I wished. Also did not have much support from my family and I had never thought about the film and my future would be studied, and that I had not thought. Now I

would like to return, of course I would like to return. I have to contact Gianni di Gregorio to see if you need a person like me.

What are your memories of Pier Paolo Pasolini?

When I think of Pasolini, I think of a sweet person, a person who will always be made comfortable, friendly and courteous, his voice and gesture, a great communicator. Often he went home, he knew his mother and his cousin. A man of great culture and great charisma.

(1) Degree in Spain "to the Italian Pension ."
(2) Episode directed by Pasolini's film collective "Ro.Go.Pa.G."

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Women (IV): Winter in Houston

She was the only normal person I knew. So normal that none of the deadly sins affect him much except for some raid of greed, and envy. Count your coins and to neglect their health by getting more than he needed the extra point gave him the happiness he could not get through habitual daily affairs of any person. It was working but was afraid to go a step further by the noise that produced the drag of the iron chains of his ghost from the past and it was actually she who was carrying, but not accepted.

was a losing battle from the first hour of the morning. All of that habit of competing for the gold medal to the most sad and difficult existence, which made him lose four hours of life every day. But not recognized and it was exhausting, but not Reconco.
could not be Semitic blood mother and died of grief, without knowing why. Took blood Semitic, yes, but did not know, and what was their moments of doubt a hell of embers until the flames broke the womb, remorse and good intentions are impossible to perform. The worst thing is that usually ended in a burst of lava in the form of envy that made him grit his teeth through pain. Everyone smiled at her life, to Flori, Lord, just tormented her as if it were a female Job.
wanted to own the world but it seemed like his own is too big, his art was amatory Venus but did not know. To Flori feeling rational decontrol brought their passion flows (which ended in those quiet moments lunar liked almost as scanned) had just been turning in a pile, escaped their internal fires burning and made from sulfur fumes coming out of your brain.
The Flori was a lost life, easily retrievable, but did not know. Mr. Blue

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This week we have left ...

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Flori

Winter in Houston is soft, as soft as you. Is the point of exquisite coolness that makes you carry a coat with elegance and despojarte it when you turn up the heat. There are two or three days below zero, as when is unable to pay the price that demands your time, but after the winter sun makes everything returns to its "natural" order and one again, idiot and believe everything will be as before. Then disappear again for a couple of months, queen of my lonely .

Mr. Blue

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Rossana Di Rocco, the angel of Pasolini

A real angel in " The Gospel according to St. Matthew " (1964).


And a fictitious angel "Birdies and pajarracos " (1966).

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"Old Gainsbourg has become" - Antonio Jiménez Barca

El Pais

Old Gainsbourg has become
New editions, films and unpublished remember two decades of the singer's death
ANTONIO JIMENEZ BARCA - Paris - 23/01/2011

- Bonnie and Clyde (1968). A night of too much alcohol and little success led to the item title track. It was the first meeting between Gainsbourg and Brigitte Bardot, the other voice on this album .- Jane Birkin / Serge Gainsbourg (1969). The album went on record for the song Je t? aime ... moi non plus. A song about love and sex that the couple singing on a bed with final orgasm included .- Histoire de Melody Nelson (1971). It tells the story of a middle-aged man comes upon a lolita. A partly autobiographical work produced by the composer Jean-Claude Vannier .- Aux Armes et cetera (1979). Reggae version of the French anthem La Marseillaise, with Robby Shakespeare, Sly Dunbar and Rita Marley. It took death threats from war veterans Algeria .- L 'étonnant Serge Gainsbourg (1961). Third album orchestrated and arranged by Alain Goraguer, French pianist who also collaborated with Boris Vian. Highlights, La chanson de Prévert.
Simply approach your usual Parisian house has been empty for 20 years, Saint-Germain-des-Prés, to realize that Serge Gainsbourg is telling: blinds, fence, wall, door ... everything is crammed with graffiti, graffiti, drawings, phrases ("you were the best, you were handsome, you were an artist.") Many are recent, and all belong to followers of this artist ugly and big ears, who seduced the most beautiful women of the era, including Brigitte Bardot, shy to the disease in its early and provocative obscene and vulgar at the end of his career, he died alone while having a nap in the same house on March 2, 1991. France prepares to celebrate the 20 th anniversary: \u200b\u200ball songs will be published again in a series of 20 CD will be released on 28 February. Previously, an anthology of his writings were published in a volume of 700 pages done by reference to his biographer, Gilles Verlant. In parallel, radiate exhumed and unpublished supposedly old issues: a version in an essay accompanying the singer Dani, for which he composed the song Like a boomerang.
All the songs are edited RAN 20 albums that will go on sale in February
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Old Gainsbourg has become, then, with his Gitanes and a cocktail of something in hand, next to the prettiest girl ever. The truth is that Gainsbourg was already there. Last year, a film director Joann Sfar (Gainsbourg, life of a hero), returned from his fame and since then, as in good times, it has not fallen from the pages of French newspapers or screens television.
Gainsbourg, known in Spain especially for its famous, and scandalous in its time, "Je t'aime ... moi non plus, played with Jane Birkin, the track more explicitly sexual has ever made, was born in Paris in 1928. The territory of childhood was Montmartre. He wanted to be a painter, but to make a living playing the piano in the slums of transvestites Pigalle. Obsessed with success, making money, fame and recognition, he began composing. By Juliette Gréco then offered a gem in a song entitled The Javanaise, he also played in his time with his style somewhat self-conscious and timid then. His first recording dates from 1957 and TV to remember in a documentary broadcast on France 2 months ago Gainsbourg called hidden faces, Greco threw his hands to his head, asserting: "It was scary." After years of appearing to Jacques Brel and earning fame or money, left the stage and devoted himself to writing songs for others. In 1965, almost adolescent writes for France Gall Poupée de cire, poupée de son with which it wins the Eurovision Song Contest 1965. Farewell to the costumes and Existentialism: welcome to the world Yeye, much more profitable and happy
met Bardot in 1967. They fell in love in a restaurant. She asked one night, according to legend, he composed the most beautiful love song in the world and he rescued a melody he had used years ago to a soundtrack and wrote Je t'aime ... moi non plus. The recorded together. Bardot's version is more explosive than Birkin. Both the actress, married by then, seeing the monumental scandal to be held in France at the time, asked his lover who withdrew from the market. Gainsbourg, as ugly as a gentleman, agreed. Two years later he recorded again, this time with his then wife, singer and actress Jane Birkin. The song catapulted them both forever.
Gainsbourg recorded over 19 albums, directed four films, participated as an actor in many others, composed hundreds of songs and lived a strange moment of glory and redemption in 1979, in a concert in Strasbourg, a group of military and members of the French far-right fierce occupied the front rows of the room. They came prepared to prevent Gainsbourg interpret his latest hit, Aux armes et cetera, a reggae version of La Marseillaise, considered by many an outrage. Seeing the big picture, the singer told his musicians dreadlocks not get out of the bus. Took the stage alone even though the owner of the room warned of the danger. He said: "Those who have kept the concert have been returned to its original meaning La Marseillaise." Then, this apolitical man with a reputation for cool and degenerated, probably drunk, raised his right arm, the cigar-and gaining dignity and greatness unexpected began to sing a solo anthem of France. Military amazed watching him could not help but squared.
drunk, psychologically depressed, abandoned by Birkin, depressed, emaciated, his last years were a nightmare sometimes broadcast on television, where he continued playing the character was created provocative: even burned a bill of 500 francs in direct protest taxes paid or proposed to Whitney Houston to sleep with him.
died at age 63 in his house forever, she bought to live with Brigitte Bardot and where he lived with Jane Birkin, after have tried unsuccessfully to get rid of alcohol and snuff. Since then her admirers wrote sentences in your door.