for the newspaper La Capital
Fabricio Simeoni is an asset of the cultural character Rosario, whose figure stands in an important personal and poetic production that began with "King Louse" (2001) and that "Sub" reaches its fifth title, aside from the local anthologies including "Those who follow" and "Dodecahedron" - whose due recognition at national level is still esperar.En his work develops a particular language, between images of carefree and acidity, and assumes an effective condition "painter" of the time. Moreover, if, as this is not necessarily always in poetry, we can recognize the poet in his voice plasmada.Pero only in the latter book introduced as a subject for your palette's own physical condition, suffering from a disease of muscle hypertrophy. What makes a subtle way, as his poetry of atmosphere usually try anything that is purely thematic, in the tangle of images and meanings that it is propia.Así then "sub" is precisely the natural condition of Simeoni, who is sitting permanently at the universe of people "standing", a situation that is enhanced or equated to the condition characteristic of all poets - "that while everyone runs to score," said a colleague. This is detected either in the back Marcelo Scalona when he says that "the condition of being strange poet, is radicalized in Fabricio". The book is divided into three sections, they are "points", "Fists" and "Pulse" and in the second, each poem is titled a prefix and includes the text title to the work, between images of a trip to Buenos Aires and constant presence in the poetry-Simeoni and materialized in this case the female, ends with "the dowry assumed figural others / we walk down. "Simeoni In the work there are echoes of rock that we can see in some Spinetta appointment of a previous book, but also in a climate of alienation, of breaks and air between melancholy and glacial own of lyricists that decorate its landscape posmodernos.En music with particular considering key disc of the music of the 90 as "OK Computer" by Radiohead, with no correlation necessarily finished with his poetry, we can see how it is measured in both cases current temperature with a thermometer similar. As the poet begins his book with references to aliens, "as militants blindfolded / day spied all approach Earth / through the cracks of the sheets. / Driven from the barn to Mars" in "Underworld Homesick Alien" (something like "Alien gloomy underground) Radiohead seen "up / alien hovering / making a home movie / for the boys when they return home. "As if in both cases the alien earthling himself out, dislocated in front of his existence on this planet of blue air and looking forward to the dream of abduction of the canción.Finalmente speaking, in this book recognize words as fluorescent Simeoni imaginary, past, perennial and suture, among others, as well as postmodern color images where "the girl top of the shelves / erect senses / ... his bottle of coke light ", but detecting new scopes and sights on their texts consolidate it as one of the most interesting voices of the new poetry in Argentina.
View original notice in the newspaper La Capital (27/08/1906)
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